FourFront wants to revolutionize TV through TikTok

In 2015, Ilan Benjamin premiered his choose-your-own-adventure homicide thriller Virtual Morality. The three-episode net sequence challenged the viewer to determine who killed a preferred highschool scholar or die attempting.

Digital Morality immediately grew to become a viral hit, pulling in additional than 50 million views—however Benjamin’s preliminary pleasure at his mission’s success quickly waned. “There was a elementary downside with this format that none of our opponents appeared to perceive, which is that choose-your-own-adventure storytelling is all about plot pushed mechanics: Do you go left or do you go proper?” Benjamin says. “We realized in a short time that this is able to not be the subsequent nice leisure format. It hasn’t actually arrived the best way that folks hoped it will, however we do nonetheless consider that there’s a place for interactivity in leisure.”

Ilan Benjamin [Photo: courtesy of FourFront]

What Benjamin sees at that intersection are tales that bridge the divide between followers and well-developed characters.

That perception has now manifested into FourFront, a content material studio producing scripted narratives throughout social media which have the appear and feel of standard posts.


For instance, FourFront’s first story that launched final yr adopted Paige (performed by actor Katie Baker), who that found all her associates blocked her and he or she didn’t know why. So she took to TikTok to ask folks to assist her determine what occurred. Paige’s three-day ordeal stretched throughout different social platforms in addition to an AI-powered chat characteristic that may ship audiences totally different replies from Paige relying on what they requested her.

Benjamin, cofounder and CEO of FourFront, notes that the corporate is clear to its viewers that its tales and characters are fictional, through hashtags and prompts. Nonetheless, with Paige, 92% of individuals selected to work together together with her, giving recommendation and sharing their very own tales of comparable fallouts with their associates. Over the course of three days, Paige’s saga had a 33% retention charge.

“What we found was by utilizing TikTok to create a personality that audiences would love, we may convert them over to a chat expertise the place they might actually develop shut to this character,” Benjamin says. “It was a extremely lovely and significant expertise.”

That trial run with Paige was sufficient of a proof of idea for Benjamin to develop FourFront’s roster of characters (there are presently eight stories to follow, save for Paige’s which has been discontinued) and to improve the expertise for its chat characteristic. FourFront now makes use of GPT-3, which employs deep studying to create extra humanlike messages.

FourFront has been working beneath the radar however has nonetheless managed to garner 1.9 million followers and 281 million views throughout its characters’s TikTok accounts. The corporate additionally raised a pre-seed spherical of $1.5 million. “We needed to construct up this universe in secret and make folks fall in love with the characters, not fall in love with an organization,” Benjamin says.

Aware and inclusive TV

When FourFront’s staff creates a personality, it allots them round 20 movies on TikTok to see if there’s curiosity of their storyline. Based mostly on person engagement round that character, FourFront decides whether or not to decide up that sequence. The studio has launched 22 tales however solely greenlit 9 for a full sequence.

“We don’t do tales which are thriller or horror or something like that, as a result of we’re blurring the road between actuality and storytelling. We simply need to inform tales which are optimistic and good natured, particularly with the scary occasions [we’re in],” he says. “We attempt to create characters who’re aspirational, that followers would lookup to, that they’d see as significant guides into an attention-grabbing universe.”


Inside these “aspirational” characters, Benjamin wants to be as conscious as potential with how they’re introduced to FourFront’s impressionable viewers. The character of Paige wasn’t a horrible particular person, however her storyline leaned closely on constructing sympathy for her state of affairs.

Actor Cameisha Cotton [Photo: courtesy of FourFront]

“We’ve truly pivoted away from what we did with Paige,” Benjamin says. “We don’t need to make audiences probably really feel like their sympathy is being exploited.”

For instance, there’s Ollie, a younger transman who discovers his father additionally transitioned. Or Tia, a younger lady who finds out that her boyfriend is African royalty and has to navigate his household who sees a future for his or her prince with out her in it. “As an organization, we guarantee that all of our content material is consultant . . . [and] as genuine as potential,” Benjamin says.

To that finish, the actors who play these characters additionally assist form who they’re. “I’ve had a lot inventive company,” says actor Cameisha Cotton, who performs Tia. “I respect having the ability to be part of the inventive course of as a result of I get to improv. I get to provide you with what Tia is sporting and what her make-up goes to be and the way she’s sporting her hair.”

FourFront’s future

To maintain manufacturing as genuine as potential, actors are required to shoot and, primarily direct, themselves. However as soon as they’ve submitted their video clips, the staff at FourFront handles posting and all of the viewers engagement within the feedback and past.

“Not solely have we been creating this universe of characters on TikTok, we’ve additionally been iterating with a brand new interactive format,” Benjamin says. “There’s an evolution in leisure occurring from movement photos, the place audiences can’t have interaction in what we name residing photos with characters who really feel alive, who stay in our world, who’re on social media and react in actual time to viewers engagements. That fourth wall is totally damaged.”

FourFront has examined totally different iterations of audiences interacting with their characters through Discord, Zoom, Clubhouse, and so forth. However Benjamin says they’re growing their very own platform to energy stay experiences with the intention of licensing their providers to different studios. “An ideal comparable can be Fortnite and the way Epic Video games didn’t simply create a completely wonderful recreation that folks love; it additionally created the underlying expertise, the Unreal Engine, which they licensed to different recreation builders. That’s an enormous a part of their income mannequin,” he says. “We consider we will do one thing very related with a really subtle AI that’s optimized for leisure worth.”


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♬ original sound – Sydney

Benjamin additionally sees a potential income stream of making a subscription service or ticketing stay occasions with their characters. Greater than 13,000 folks signed up for a stay Zoom occasion with FourFront’s character Sydney. Though it was free, Benjamin says many individuals within the feedback had been anticipating to pay. “The engagement was simply overwhelming,” he says. “That’s additional indication to us that this form of stay platform the place audiences pays a subscription to work together with our characters is an enormous means that we’re going to generate income sooner or later.”

That degree of fandom that these characters engender additionally opens up alternatives to have them department out to different platforms. “We undoubtedly need to proceed to create nice content material on TikTok, as a result of it’s an unimaginable discovery algorithm. However as these characters develop extra well-liked, we will see them working with the standard inventive economic system, increasing to YouTube, Instagram, and different platforms,” Benjamin says. “That might enable them not solely to proceed to generate extra content material, but in addition to monetize that content material longterm.”

Through FourFront, Benjamin goals to merge viewers interactivity and narrative storytelling, the imaginative and prescient that’s guided him from the beginning. “Why can’t I hang around with Harry Potter?” he says. “That’s the query this complete firm started with: Why can’t we enable folks to get nearer to their favourite characters?”